OUR SPECIAL PARIS COMMUNITY NETWORK NEWS & VIEWS

Making the Move

(part 2 of 5) © by Quarkscrew Jones

Don't get me wrong, I'm no idiot. I can do anything I set my mind at, and it's possible that in a former life I even courted a theorem, or two. But currently I'm working on this life, and truth be told, in the weeks prior to this event I'd already begun wondering if this was all there was to living. Maybe it didn't show on my face, but inside I'd become edgy, restless. Existence as I knew it no longer sustained me.

I'm told it's a familiar thirty-something pang, to crave more, but it was harder for me because at the time I couldn't articulate it. I may be a peon by trade, but through my veins courses the blood of a writer, and for a writer to be at a loss for words, well, let's just say cancer is a more desirable plague. Usually I could write my way out of these episodes by jumping back into any number of unfinished projects: the novel about LA lowlifes; the script about the little Italian boy and his mountain; the gut-wrenching poem about body waxing. But lately, even that usual diet of dilemma wasn't catching.

There can be no greater pain that when your craft fails you, so to keep from diving off the nearest balcony, I decided to try things I'd never considered before: things like yoga, hiking, sewing, intensive boot camp classes at the gym, asking men what's on their minds. You know, crazy stuff. But once these challenges were conquered (or in the latter case abandoned), the longing would return and I would ache anew. And while I admit at the time I was waiting for the next distraction to present itself, I can guarantee you improving my math skills was never an option.

And so it was my state of mind when the music began. A familiar chorus, instead of wafting through the air and plucking me lightly upside the head, this time it hit me like a semi with its lights on. You know the tune of which I speak. It's a private symphony, one we each composed as kids. Some people like to call them dreams. I call them songs. Doesn't matter if they are heavy metal, classical, country or rap, as kids we all wrote at least one ballad for ourselves. But as we grow we are taught that it's the rare among us who gets to make a show of it.

Most of us believe the hype, and we wind up spending our lives postponing our debut. We do this by constantly changing lyrics, arranging and rearranging our notes, and refusing to go on until we've got it just right. We put it off and put it off until one day we look up and find that life has moved in on us, and we've lost our sheet music amongst a heap of unpacked baggage.

go to part 3...